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Forty years of travelling and my best views are all behind a pane of glass with a lit ceiling panel floating in the middle of them. This takes the glass away and leaves the journey: same frame, same hills, same grey morning — the carriage reflection gone, the smears gone, the green cast off it. Nothing invented, nothing added past the edges. Tweak I use half the time: 'leave my own face in the corner' — on a long train that reflection is the point.

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